meldrum art
I decided to try something different last Saturday, I used my old Chinese calligraphy pen, brand name “Hero” and I used watercolour pigment as a wash. I was pleased with the result although I think I will use my 2B pencil instead of the pen next time. The poses were 30 seconds, 1, 2 and 5 minutes long. Painted on cheap watercolour paper, Calson 200g A4.
I’ve started a new Sketchbook. I find it very useful when I take breaks from the watercolours that I am producing for my upcoming exhibition. To be able to just relax and sketch whatever for an hour is so beneficial when one is under pressure. I now start each artist day with a watercolour sketch to get me into the groove of painting.
Format: Moleskin 29.5 x 20.5 cm
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I forgot to publish this, I met with my Stockholm Urbansketcher friends at the Central Station on the 26th of February. We had great fun sketching, enjoying a chat and a coffee.
This painting is pretty cool I think. In real life it has impact but when it is published on the web it looses its power due to the wide format. It become small and hard so see detail, a 4 by 3 format suits Facebook and Google + so much better.
Anyway, I like this watercolour, it’s not my normal style, I don’t wish to continue on this route either, I want to be more like Chein Chung-Wei when I grow up 😉
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Summer is coming soon, well I would at least like to think so. Looking forward to it when it does arrive. I am very happy with these wide scene formats I have been painting recently but they do present a problem, they look very small when I present them on Facebook or even here on my website. It’s a pity because they look real good framed and hanging on the wall. I am considering just showing a 4 by 3 version, cropping the watercolour to suit social media. Instagram is even worse, it is square!
Format: 37 x 12.5 cm
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I have realised that painting in a wide format really suits my watercolours of life in the archipelago. It’s the big open horizon that we all find appealing when we are out in the great outdoors.
69 x 24 cm
The original reference photos were taken by Finish photographer, Erik Lähteenmäki. You can visit his website here.
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I finished these two sketches last week, only posting them now. I am painting larger versions for an upcoming exhibition in April. It’s good to do sketch first, one learns a lot by taking ones time and experimenting, unexpected happy accidents or silly mistakes that shouldn’t be repeated.
The original reference photos were taken by Finish photographer, Erik Lähteenmäki. You can visit his website here.
Each sketch size: 39 x 14 cm
Yesterday, I made a real mess of a large painting. It was going so well, the initial drawing and the placement of cobalt blue for a brilliant cloudy sky… then I added some grey to give body to the clouds. I ruined it.
So today it’s practice time. I am painting on the back side of an old watercolour. It’s a good tip not to throw out your expensive watercolour paper until you have used both sides.
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People here in Stockholm like my paintings of sailing boats in the archipelago, they sell very easily so I’d be stupid not to continue creating them. This painting is interesting as it is in a wide format which suits paintings of the great outdoors a lot.
Format: 52 x 13 cm
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