While out sailing in the archipelago we would sometimes take a day off and just hang in a beautiful spot. This would give me the opportunity to paint. The four watercolours here are of the same scene on Själbottna island painted over two days.
I realise that my first watercolour is usually rushed and therefore not so good. I guess it’s a necessary evil, a process to slow down and really see what is in front of me. The third watercolour was an attempt to capture the advent of rain and dark thunderous skies. Finally the last watercolour was painted the next morning just before we lifted anchor and sailed off in some direction I cannot remember.
The watercolours are 18 x 13cm in size and were painted on the 16/17th of July, 2022.
Tag: aquarelle
I spent a beautiful two days in Björnö nature reserve back in June. I used my new hammock to sleep between two trees. I got a good night’s sleep and did some great sketches the following day.
I am experimenting with damp watercolour paper techniques. There are many ways to keep the paper damp for a longer period so that one has time to paint a scene. I am not going to get into that in this post as I am in a bit of a rush. The most important thing for me is that my watercolours blend well on the paper and the edges stay soft, having more time to work is also a plus.
Since being accepted into The Water Colour Society of Ireland I have felt an urge to do a few watercolours of the emerald isle. I’d love to travel there but Covid is still restricting travel. I get my first jab this Friday, feels like a relief that I’m finally getting it.
This watercolour is of Donaghadee lighthouse, which lies southeast of Belfast. 52 x 34 cm
To view a full sized image please click the thumbnail below.
I have been visiting Björnö here in the Stockholm archipelago for many weeks now. It gets a little warmer each time I sketch there. Yesterday, I decided to do a studio painting based on my sketches and photographs. I am trying to catch the Scandinavian melancholy I feel when I visit the archipelago during the winter months. I’m happy with the result.
Click the thumbnail below for a full-sized image.
I am looking for a softer approach to my painting and so I am testing different techniques. In this nude study the paper was very wet when I applied the watercolour pigment. The fact it spread like crazy is exactly why I love this medium.
Sketching my emotions Nr.5
I could do a better job sketching this series but to be honest I like the freshness of a first attempt. It’s really interesting capturing emotions with watercolour.
Winter doodle
I was just playing around. Lights and darks. The darks dominate, and cool colours too. It’s fun not putting pressure on oneself, just playing like a kid – no stress. Learn by doodling. 😉
Click the thumbnail if you would like to see a larger image.
I have no wish to compete with photographic images. When I paint a nude from a photo as in this case I want to find my own way of expressing the feelings I have towards the subject. If I just tried to copy the image on my computer screen it would be just so uninteresting and also demoralising because the original photograph will always be best. I know there are super-realists out there who would disagree with me. There is no wrongs or rights, for me it’s just a personal quest to find a form of expression.
Reclining nude 36 x 26 cm
To see the full-sized image please click the thumbnail below.
As I write this it is minus 10 outside. Summer feels very far away right now. Thankfully I am an artist and can recreate the memories of the long magical days we experienced while sailing in the Stockholm archipelago last year. We sailed for a month, most nights we slept in a different natural harbour. This painting at Fjärdlång was created in the studio from a photo I had taken. I maybe act like a squirrel, I take photos all summer then store them for the winter months when I am starved of adventure and sketching outdoors.
If you would like to view the full-sized image please click the thumbnail below.