meldrum art
I played with Lunar Black paint from Daniel Smith in this watercolour . If you look closely at the top and bottom of the painting, you will see a lot of pigment granulation. Lots of fun.
The reference picture for this watercolour was taken a number of years ago. I was cycling home one evening, the water was so calm, it was like a mirror. A beautiful scene. I’ve tried my best to capture the moment.
Please click the thumbnail below if you would like to see the full sized image.
I had my first exhibition at “Galleri T” back in April 2016. It was a great success, and it was an important step in my development. A lot of my friends bought paintings. I learned later that selling watercolours is more of a challenge when people you know have bought their fill.
Galleri T is situated in the Old Town in Stockholm, quite close to the Royal Palace.
Click the thumbnail below is you would like to see a larger image.
I spent a number of years sailing in the Mediterranean. I was a guest on my father in law’s sailing boat. It was a privilege to spend two weeks just cruising. Delicious meals in small harbour towns. Slowly making our way from one point on the map to another. Nice, very nice.
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I am very happy and honoured to feature in this mini catalogue titled ‘Unseen to be seen’. It is an exhibition of watercolours only 8 x 5 cm in size. This is the brainchild of Rajat Subhra Bandopadhyay.
He contacted me 4 years ago and asked if I would like to participate in the mini exhibition with watercolour masters from around the world. I was quite shocked and later flattered that he would consider me to be a master.
Unfortunately, this was 2020. Covid came and ruined the party. The project was put on ice and that was that.
But out of the blue, Rajat contacted me a few weeks back. I was truly delighted that he managed to publish the catalogue after all this time. I wish him the best of luck with this and any other project he has in the pipeline.
We sail a lot during the summer. The closer you are to Stockholm the more houses there are. For us it’s a warning, it means we need to keep sailing east for a few hours until we are in the outer archipelago.
I am delighted that I am actually painting in the studio during the winter months. My mental-health suffers badly at this time, especially these last few years. The situation has improved though. It’s not perfect, but I am able to function again thanks to professional help. It’s fantastic to be regularly painting again
I painted this watercolour from a photo I’d taken during the summer. It’s a bit of a cheat, the couple were never there. I think that’s called creative licence. I really do prefer to paint outdoors, to be in nature. It’s -8 celsius outside here in Stockholm, and it’s snowing. The studio feels pretty good right now.
36 x 26 cm
Click the image below if you would like to see the full sized watercolour.
I like this motiv a lot. It was fun to paint. I am experimenting with Daniel Smith high granulation colours. I think this has the feeling or the mood I want to attain with my paintings. It’s not often I am happy with my work but I like this one. 😃
Scandinavian coastal pine 26 x 36 cm
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The story behind this painting is that it just wasn’t working out.
So I ripped the picture in half horizontally and saved the top half, the sky along with the tops of the trees. There used to be houses along a shoreline on the bottom half. It was this that sucked and had to go.
I was left with some clouds and tree tops. What to do? Well, I used a flying duck to try and save the watercolour. It was the first time I ever painted a duck. I need to practice a bit more.
That’s the story behind this painting. ☺
I took the reference photo for this watercolour 18 years ago. I wish I could remember where in the archipelago it was, but I can’t. It’s a pity, because I’d like to visit that place again to paint plein air. It’s hard to imagine now, but I did not paint watercolours back then.
To my Swedish friends, does anyone know where it might be?