While out sailing in the archipelago we would sometimes take a day off and just hang in a beautiful spot. This would give me the opportunity to paint. The four watercolours here are of the same scene on Själbottna island painted over two days.
I realise that my first watercolour is usually rushed and therefore not so good. I guess it’s a necessary evil, a process to slow down and really see what is in front of me. The third watercolour was an attempt to capture the advent of rain and dark thunderous skies. Finally the last watercolour was painted the next morning just before we lifted anchor and sailed off in some direction I cannot remember.
The watercolours are 18 x 13cm in size and were painted on the 16/17th of July, 2022.
Tag: akvarell
I have been suffering badly from depression (SAD) since September. I’m not going to go into detail but anyone who suffers from the same ball and chain affliction knows it isn’t easy to achieve anything of substance. So this little painting, although a bit grey, is a ray of light as I have been able to complete it. It makes me very feel good.
I am returning to the doctor this week, the current approach hasn’t worked. Hopefully a solution can be found soon. I so do want to enjoy life, smile and paint, paint, paint.
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A tourist’s watercolour
I was recently lucky enough to be sailing along the coast of Sicily not far from Palermo. There was this beautiful town called Cefalu that hugged an impressive rock. It just had to be painted. 36 x 26 cm
I spent a beautiful two days in Björnö nature reserve back in June. I used my new hammock to sleep between two trees. I got a good night’s sleep and did some great sketches the following day.
I am experimenting with damp watercolour paper techniques. There are many ways to keep the paper damp for a longer period so that one has time to paint a scene. I am not going to get into that in this post as I am in a bit of a rush. The most important thing for me is that my watercolours blend well on the paper and the edges stay soft, having more time to work is also a plus.
Since being accepted into The Water Colour Society of Ireland I have felt an urge to do a few watercolours of the emerald isle. I’d love to travel there but Covid is still restricting travel. I get my first jab this Friday, feels like a relief that I’m finally getting it.
This watercolour is of Donaghadee lighthouse, which lies southeast of Belfast. 52 x 34 cm
To view a full sized image please click the thumbnail below.
My first day at Björnö was an amazing experience but I wasn’t happy with the watercolours I created. Rather than get all depressed about it I decided to just return to Björnö and try again. The important factor being that I was alone and so I could relax and really think about what I wanted to achieve. Basically, I wanted to paint better. Some important things I learned from the day before was to take my time, be precise and paint in the shade.
I had a wonderful day, it was colder but the sky was a summer blue. ( As I write this it is snowing outside my window, April weather in Sweden is pretty damn extreme. ) By the end of the day I had three nice little paintings and I went home with a smile on my face. It’s a nice sensation to feel one is progressing.
I have been accepted into the Water Colour Society of Ireland. It’s a great honour and it means a lot to me. I grew up there and part of me will always be Irish – even after 36 years away. Damn, time flies.
Being accepted into the society means I will be asked to submit work for the annual exhibition held in Dublin. So I need to get painting those Irish scenes. What a great excuse for me to spend some time travelling along the west coast of Ireland for my art’s sake. ( After the pandemic of course. ) 😉
This watercolour is of Ireland’s Eye. A dear friend of mine took a lovely photo and posted it on Instagram. Thank you for letting me use it as a reference Barbara. The view is from Malahide, outside of Dublin. It’s where I grew up as a teenager.
To see a larger image please click the thumbnail below.
I have been visiting Björnö here in the Stockholm archipelago for many weeks now. It gets a little warmer each time I sketch there. Yesterday, I decided to do a studio painting based on my sketches and photographs. I am trying to catch the Scandinavian melancholy I feel when I visit the archipelago during the winter months. I’m happy with the result.
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This is a final version of a sketch I did during the winter months. I live in an old industrial area quite close to central Stockholm, it’s under development. I go for walks most days and I try to find beauty in what I see. It’s my quest right now. I want to avoid the pretty picture trap, some call them chocolate box – watercolours. Yes, I want to avoid that. I’m buying lots of old Lars Lerin books from the 80’s and 90’s, I think he captures the scandinavian everyday so well.
Title: Kvarnholmen in winter. 37 x 27 cm
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