Buildings are a bunch of boxes, straight lines and a few curves, rigid things that demand to be stiff and upright. I am trying to create an impression of what I see – to this point I have failed every time. I enjoy the challenge though, trying to find what is missing.
Sunday was a rainy day here in Stockholm so I stayed in my studio and played with my GoPro camera. I filmed myself painting a sketch in my Moleskin journal. I have an ambition to publish films of my painting process to help others learn from the knowledge that I have gained since I started in 2012. I need to learn how to edit film, next weeks project I guess.
Cerold Johansson who is responsible for art acquisition at the Nordic Watercolour Museum has bought one of my paintings! It arrived safely today with the glass still intact. To say that I am happy would be a bit of an understatement ?
I am proud to have been choosen by the Nordic Watercolour Society to particapate in the 20th ECWS* exhibition in Salamanca, Spain. The exhibition continues until the 27th of October 2017.
This is a larger version of a painting I did the other week, click here to see that one. It is a challenge to paint larger formats, this watercolour is 70 x 50 cm and painted on Arches rough paper. I added a touch of autumn as the trees outside my window have wonderful colours right now. I am happy enough with the painting, I completed 70% of it and became scared, I think this is a common problem for watercolourists. It is so easy to screw the whole thing up. It’s a real challenge to stay loose and free to the end.
I visited a new studio in Hökarängen to do some life drawing this week. It was really enjoyable, I especially liked the fact the model had just one pose after the warming up period, we then had 20 minute sessions which allowed me to experiment with 3 watercolours which took about 30 minutes each. There was some sketching to warm up but I mostly painted. Lars, was the name of the model.
Only one negative experience, I forgot my pencil case with all my favourite pencils and a small pocket knife. I rang the next day to the studio but they were gone.
I want to paint more street scenes than I do. I don’t feel as comfortable painting urban scenes compared to boats and nature. I want to have a broad repertoire and there is only one way to achieve that, … paint everything and paint them often.