It was a very windy summer. We spent so much time trying to find protection from the strong winds. Survival stuff it was sometimes. After two and half weeks we had had enough.
So this watercolour was the last of the paintings from my holiday. It sums up the the end of our adventure pretty well. We were in a small natural harbour on the island of Kallskär which is in the outer archipelago. After this we headed west towards Stockholm dodging strong winds and squalls that hunted us.
Trees, there are a lot of them in the Stockholm archipelago. So difficult to paint, green is an awful colour to work with, appears flat and lifeless any chance it gets. There is so much for me to master while out sailing, patience being number one.
Four small sketches of the the same scene, 18 x 13cm, Hasselö, 2022.07.20
While out sailing in the archipelago we would sometimes take a day off and just hang in a beautiful spot. This would give me the opportunity to paint. The four watercolours here are of the same scene on Själbottna island painted over two days.
I realise that my first watercolour is usually rushed and therefore not so good. I guess it’s a necessary evil, a process to slow down and really see what is in front of me. The third watercolour was an attempt to capture the advent of rain and dark thunderous skies. Finally the last watercolour was painted the next morning just before we lifted anchor and sailed off in some direction I cannot remember.
The watercolours are 18 x 13cm in size and were painted on the 16/17th of July, 2022.
I became very ill with depression last October and it’s only now that I am starting to feel good again. The summer repairs but in recent years the seasonal window has been getting smaller. I’m seeking treatment and in the worse case I’ll probably need to move south for the winter, let’s see what happens.
So while I’m all depressed my website crashed in November 2021, and I wasn’t able to fix it due to a scrambled brain – trashed by antidepressants. I’ve ditched the medication, it was impossible for me to be creative. It may work for others but it’s not the solution for me.
So, this is my first post for a while. I haven’t been so productive so nothing missed really. I am so happy that I’ve started painting again. I began in May, I visited Ireland, stayed with friends and sketched for a week. It was so beautiful, the weather was just wonderful. Recently, I was on my annual sailing adventure with my wife. I painted a lot of watercolours of the Stockholm archipelago.
These featured watercolours were painted one after the other on the 7th of July in a natural-harbour called Norra Gränholmsviken, Gällnö. 18 x 13 cm in size, it’s a quarter of a quarter sheet for those of you who paint watercolour. It’s really interesting to paint the same scene several times. I discovered new patterns, new shapes and new compositions each time. A really good exercise when trying to improve.
I have been suffering badly from depression (SAD) since September. I’m not going to go into detail but anyone who suffers from the same ball and chain affliction knows it isn’t easy to achieve anything of substance. So this little painting, although a bit grey, is a ray of light as I have been able to complete it. It makes me very feel good.
I am returning to the doctor this week, the current approach hasn’t worked. Hopefully a solution can be found soon. I so do want to enjoy life, smile and paint, paint, paint.
Click the thumbnail below if you want to see the full sized image
Wise painters stay away from pretty photographs of ocean sunsets. I know this is true as I tried years back and yes, I failed. The watercolour turned out to be cheesy, a classic motif to sell to tourists maybe but not a work of art that I was proud of. Nothing I would wish to show to others.
William Turner, he painted many sunsets, he had a certain attitude, he was a rebel, a hero to many, an inspiration to me.
I snapped an evening photo while sailing off the coast of Sicily, I thought to myself, this is not your typical sunset. So dramatic. It’s badass. I had a go at trying to capture the moment. 36 x 26 cm.
I have been using perspex plastic on my watercolour sketching board. I wet the back of the paper then tape it down. After that I wet the front of the paper and let it settle. This isn’t actually my new technique. I am placing a damp cotton sheet between the paper and the perspex before I tape it down. This gives me lots of time to work on my clouds but I have to get used to it. My watercolours are a little pale at the moment but I’m working on it. Practice, practice.
Last week I spent a wonderful day sketching with Daniel Luther on Beckholmen, a dry dock here in central Stockholm. It was so rewarding just trying one’s best to capture the surroundings on paper. Going out with a friend makes it all the more fun.
I am experimenting with damp watercolour paper techniques. There are many ways to keep the paper damp for a longer period so that one has time to paint a scene. I am not going to get into that in this post as I am in a bit of a rush. The most important thing for me is that my watercolours blend well on the paper and the edges stay soft, having more time to work is also a plus. Since being accepted into The Water Colour Society of Ireland I have felt an urge to do a few watercolours of the emerald isle. I’d love to travel there but Covid is still restricting travel. I get my first jab this Friday, feels like a relief that I’m finally getting it.
This watercolour is of Donaghadee lighthouse, which lies southeast of Belfast. 52 x 34 cm
To view a full sized image please click the thumbnail below.
