meldrum artDrawn from a reference on my computer screen. I practice my tonal values and shading a lot at the moment. It’s something I have done very little of in the past. It really is important to get a good understanding of tonal value in art.
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| Shading practice |
I seem to want to draw and paint artists that I admire. This week’s offering is Alberto Giacometti. I should have made his nose a little longer and a little bigger but otherwise I am happy with the result. Normally I tend to draw very quickly so this was an exercise in patience for my part. It took 90 minutes roughly to complete.
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| Alberto Giacometti pencil sketch on Fabriano A4, 21 x 29,7 cm |
Location: Konstnärshuset, Stockholm, 20140218
Well, normally I am very self-critical but this time I have to admit that I’m totally happy with my life drawings. Instead of shading with a 6B lead, I used pastels. A friend uses charcoal and I was envious of the amount of shading he was able to achieve for each pose. With a 6B one has to shade carefully otherwise it looks rough and unattractive to the eye. This takes time and time is short at the life drawing sessions. So using pastels is perfect, they are quick, colourful and create smooth fills. I do not like charcoal as it creates intense contrasts. This results in very dramatic drawings which is something I do not want achieve. I’m searching for a more sensual, softer approach.
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| Five minute nude |
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| Five minute nude |
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| Five minute nude |
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| Five minute nude |
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| Five minute nude |
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| Two minute nude |
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| Five minute nude |
Location: Basis, Stockholm, 20140215
I’ve drawn Lars many times. He is fun, he has a name for each of his poses, like the ones below: “The Base Ball Player”, “The Prisoner”, “Björn Borg” and “The Egg”. I cannot remember the title of the first pose unfortunately.
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| Ten minutes |
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| Ten minutes |
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| Two minutes |
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| Two minutes |
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| Ten minutes |
Location: Konstnärshuset, Stockholm, 20140211
Today I improved some of the sketches I did at yesterday evening’s life drawing session, the first drawing especially, it was originally just a two minute sketch with little detail. I enjoyed finishing it and adding some design into the mix.
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| Two minutes plus ten |
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| Ten minutes |
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| Two minutes |
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| Five minutes + two |
Honestly, the more time I spend on a drawing the more I wreck it with uncertainty. Keeping it pure isn’t easy after two minutes. This is why I haven’t shown any of my drawings that were longer that two minutes this time around.
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| Two minutes |
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| Two minutes |
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| Two minutes |
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| Two minutes |
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| Two minutes – plus a little more shading |
Location: Könstnärshuset, Stockholm, 20140204
It was a struggle to begin with, I have not drawn a male model for a while and so the muscular torso threw me at the start. He was a dancer, skinny, with small butt and bird-like legs. After a few drawings I started to tune in to what I was seeing. I think I’m drawing lines at a slower pace these days, I look often at the subject as I draw the contour. I think that is key, draw what you see and not what you think you see. Anyway, I got a lot of satisfaction out of yesterday evening.
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| Ten minutes |
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| Five minutes |
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| Five minutes |
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| Two minutes |
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| Five minutes |
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| Ten minutes |
Normally, for the last few weeks at any rate, I have been alone sketching each day at the Central Station here in Stockholm. Last Sunday was a different story though, because seven other urban-sketchers joined me for an afternoon of sketching at the station. We are all members of a group called “Skissa i Stockholm” which translated means – Sketching in Stockholm. Anyway, fun that so many turned up. It was a lovely afternoon. The coffee break taking up a large chunk of the available time, but that’s normal. We artists love to talk about our pencils! If anyone in Stockholm would like to join our group, please do let me know, “the more the merrier”, as they say.
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| Albert & Jack’s, Central Station, Stockholm |
I keep reminding myself it’s a sketch and not a painting. So as a sketch, I’m happy with it. Setting the tonal values for a scene was more difficult than I thought it would be, something for me to practice – definitely.
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| A4 Moleskin watercolour notebook, 200g. |